Having come from a background in theatre, I have learned to place the body and its expression at the centre of my work.

In my installations and performances, the gallery space becomes a stage and the audience becomes immersed in surprising social situations and narratives that challenge their perception of reality.

They encounter beauty and the uncanny: liminal spaces, time standing still, inversions, and dolls — symbols of our departure from the familiar and our movement into the unknown. I experience a sense of joyful freedom when I recombine reality and break free from the categories of good and evil, organic and artificial, and human and non-human. This playful approach reminds me that the world can always be recreated in entirely new ways.

Sometimes I display real dolls, performers or myself in a gallery, treating the bodies as exhibited objects. This relocation allows them to be perceived as pure sculptural material, regardless of whether their matter belongs to the organic, geological, or chemical realms.
This creates an opportunity to reflect on what it means to be human at a time when digital ghosts emerge and our physical connection to the biological realm becomes increasingly apparent.